Las Vegas
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By Camille Cannon (This article originally appeared in Vegas Seven magazine on April 4, 2015.) In addition to entertaining, Lyndsay Hailey ensures women’s real desires are accounted for onstage. In May 2016, Channing Tatum announced Magic Mike Live Las Vegas with a two-minute puppies-and-muscles daydream of a video on Cosmopolitan.com. He ended it by soliciting feedback from women on what they
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Novak and I caravanned to the polling place in the Silverado Ranch shopping center, arriving just after 5p.m. I decided to ask him a few questions in the parking lot before doing my democratic deed.
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It was on the road, sleeping in his car or in his parents’ basement—where his Emmy collected dust atop a crate—where Marrazza’s mind developed an imagination that now lends itself so well to 280 characters on Twitter.
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As our city finds ways to heal and move forward, the Welcome to Fabulous Las Vegas sign represents everything it always has: our glowing warmth and hospitality, a reason to keep smiling, keep flashing your peace signs.
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“So, did you ever have ‘regular’ jobs?” I ask over a platter of crab legs.
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“Hold back, daddy,” says Channing Tatum. He’s offered those tender words of advice to Ryan Carlson, one of 13 professional male dancers in Magic Mike Live Las Vegas, a semi-scripted dance revue billed with the promise of “women’s empowerment.”
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As any suntanned, bug-bitten kid will tell you, there are two types of summer camps. The second is the kind kids beg to attend—the type of warm-weather heaven where you make s’mores with the Beastie Boys’ Mix Master Mike.
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Some nights you just want to sit at home in your PJs, eating pizza and watching The Real Housewives of Dallas (or whatever) because you “just don’t feel like going out tonight, OK?”
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Last month, British songbird Ellie Goulding dropped a music video for “On My Mind,” the single from her upcoming album, Delirium. Shot at El Cortez, the video details a romance tainted by booze, abuse and lots and lots of glitter. Let’s break it down by the second.
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“You have to believe every piece of copy was custom-written for you,” Moats tells her class of 12. Most of them are dipping into voice acting on a part-time basis. There are at least two would-be James Earl Joneses in the room and one woman in her 20s who sounds like a toddler.
camillecan.com 